We have heard many complaints about “diversity” at the Oscars (but, of course, not so much about the generally crappy quality of films today). I assume this is because people hold out hope for perfect “diversity” but have taken a realistic approach to film quality, knowing that artistry and creativity are all but dead but neo-Marxism of “social justice” is alive and well.  I am not here to debate the merits of “diversity” vis a vis paying attention to the actual films and not the identity of those who made it.  We are assuming that the drumbeat for diversity will continue as the quality of film decreases, and we are offering the only real solution to the “diversity” issue:  requiring diversity in the nominations (and the results) according to an agreed formula. As long as we permit the nominees to be based upon the quality of the films themselves, and not the identity of the filmmaker, it will be impossible to achieve true diversity in the nominating process, as the...